Crazy for You by
(Vocal Selections). Vocal selections for the Tony Award-wining musical featuring classic Gershwin songs. Includes: K-R-A-Z-Y for You * I Can't Be Bothered Now * Bidin' My Time * Things Are Looking Up * Could You Use Me? * Shall We Dance? * Someone to Watch Over Me * Slap That Bass * Embraceable You * Tonight's the Night * I Got Rhythm * Stiff Upper Lip * They Can't Take That Away from Me * But Not for Me * Nice Work If You Can Get It.
Five Guys Named Moe by
A vocal selection is a collection of all of the major songs from a Broadway show. Each song is arranged for piano and voice. Many vocal selections also feature photos from the original stage production of the show.
Jelly's Last Jam by
(Vocal Selections). 12 vocal selections from the rollicking Broadway musical review, including: Creole Boy * Doctor Jazz * Good Ole New York * In My Day * Jelly's Jam (The Jam) * Last Chance Blues * That's How You Jazz * Too Late, Daddy * and more.
Falsettos by
(Vocal Selections). Includes: 4 Jews in a Room Bitching * I'm Breaking Down * Marriage Proposal * March of the Falsettos * Making a Home * The Games I Play * I Never Wanted to Love You * Father to Son * The Baseball Game * A Day in Falsettoland * Everyone Hates His Parents * What More Can I Say? * Something Bad is Happening * Holding to the Ground * Unlikely Lovers * You Gotta Die Sometime * What Would I Do.
Two Trains Running by
From the Pulitzer Prize-winning author of Fences and The Piano Lesson comes a"vivid and uplifting" (Time) play about unsung men and women who are anything but ordinary. August Wilson established himself as one of our most distinguished playwrights with his insightful, probing, and evocative portraits of Black America and the African American experience in the twentieth century. With the mesmerizing Two Trains Running, he crafted what Time magazine called "his most mature work to date." It is Pittsburgh, 1969, and the regulars of Memphis Lee's restaurant are struggling to cope with the turbulence of a world that is changing rapidly around them and fighting back when they can. The diner is scheduled to be torn down, a casualty of the city's renovation project that is sweeping away the buildings of a community, but not its spirit. For just as sure as an inexorable future looms right around the corner, these people of "loud voices and big hearts" continue to search, to father, to persevere, to hope. With compassion, humor, and a superb sense of place and time, Wilson paints a vivid portrait of everyday lives in the shadow of great events.
Dancing at Lughnasa by
Brian Friel evokes the interior landscape of a group of human beings trapped in their domestic situation and also the wider landscape, interior and exterior, Christian and pagan, of which they are a part.
Two Shakespearean Actors by
On May 10th, 1849, while the English actor, William Charles Macready, was performing Macbeth at the Astor Place Opera House in New York, a riot erupted which resulted in the death of 34 people. This play uses this incident as the basis for an examination of the theatre in a post-colonial era.
Directors and the New Musical Drama: British and American Musical Theatre in the 1980s and 90s by
Starting with the provocative idea of the British Invasion, this book explores the cultural differences between British and American musicals, examines their critical reception, and demonstrates the crucial role of British and American directors in developing a new kind of musical drama that has started to change the parameters of this popular art form
Mainstream AIDS Theatre, the Media, and Gay Civil Rights: Making the Radical Palatable by
This book demonstrates the political potential of mainstream theatre in the US at the end of the twentieth century, tracing ideological change over time in the reception of US mainstream plays taking HIV/AIDS as their topic from 1985 to 2000. This is the first study to combine the topics of the politics of performance, LGBT theatre, and mainstream theatre's political potential, a juxtaposition that shows how radical ideas become mainstream, that is, how the dominant ideology changes. Using materialist semiotics and extensive archival research, Juntunen delineates the cultural history of four pivotal productions from that period--Larry Kramer's The Normal Heart (1985), Tony Kushner's Angels in America (1992), Jonathan Larson's Rent (1996), and Moises Kaufman's The Laramie Project (2000). Examining the connection between AIDS, mainstream theatre, and the media reveals key systems at work in ideological change over time during a deadly epidemic whose effects changed the nation forever. Employing media theory alongside nationalism studies and utilizing dozens of reviews for each case study, the volume demonstrates that reviews are valuable evidence of how a production was hailed by society's ideological gatekeepers. Mixing this new use of reviews alongside textual analysis and material study--such as the theaters' locations, architectures, merchandise, program notes, and advertising--creates an uncommonly rich description of these productions and their ideological effects. This book will be of interest to scholars and students of theatre, politics, media studies, queer theory, and US history, and to those with an interest in gay civil rights, one of the most successful social movements of the late twentieth century.
The New American Musical by
FLOYD COLLINS by Adam Guettel and Tina Landau "This is the original and daring musical of our day...a powerhouse." --John Simon, New York Magazine RENT by Jonathan Larson "Reinventing Broadway. A raw and riveting milestone in musical theater." --Peter Travers, Rolling Stone PARADE by Jason Robert Brown and Alfred Uhry "A defining moment in Broadway musical theater." --Clive Barnes, New York Post THE WILD PARTY by Michael John La Chiusa and George C. Wolfe "The first musical triumph of the 21st Century." --Finton O'Toole, Daily News This anthology collects for the first time the groundbreaking work of these innovative artists. In the tradition of such classic musicals as West Side Story and Sweeney Todd, a new generation of composers, lyricists and librettists have extended and transformed the serious musical. Their work bears the influence of composers and authors, such as Leonard Bernstein and Jerome Robbins, Stephen Sondheim and Harold Prince, and even Kurt Weill and Bertolt Brecht. Yet these artists have fashioned a new, highly personal and challenging form of lyric theater that darkly cuts to the heart of postmodern America. Includes: Floyd Collins, set mostly in the pitch blackness of a cave in rural Kentucky in 1925, this piece, based on real events, presents a soul alone with himself while, above ground, the circus of modern media life unconsciously tries to rob Floyd of his human dignity; Rent, set amidst a gentrification war in New York City's Lower East Side in the mid-1990s, portrays a community of youthful racial diversity and sexual openness brought together, first by the struggle to be an artist in a materialist society and then by the fight to prevent disease from snuffing out their youthful lives and love; Parade juxtaposes anti-Semitism and racism against African-Americans in an Atlanta, Georgia, still haunted in 1913 by the ghosts of the Civil War; and The Wild Party, set near Manhattan's Morningside Heights just before the Crash of 1929, observes sensual and spiritual decadence through show business people desperate to love and be loved.
Singular Sensation: The Triumph of Broadway by
The extraordinary story of a transformative decade on Broadway, featuring gripping behind-the-scenes accounts of shows such as Rent, Angels in America, Chicago, The Lion King, and The Producers--shows that changed the history of the American theater. The 1990s was a decade of profound change on Broadway. At the dawn of the nineties, the British invasion of Broadway was in full swing, as musical spectacles like Les Miserables, Cats, and The Phantom of the Opera dominated the box office. But Andrew Lloyd Webber's Sunset Boulevard soon spelled the end of this era and ushered in a new wave of American musicals, beginning with the ascendance of an unlikely show by a struggling writer who reimagined Puccini's opera La Bohème as the smash Broadway show Rent. American musical comedy made its grand return, culminating in The Producers, while plays, always an endangered species on Broadway, staged a powerful comeback with Tony Kushner's Angels in America. A different breed of producers rose up to challenge the grip theater owners had long held on Broadway, and corporations began to see how much money could be made from live theater. And just as Broadway had clawed its way back into the mainstream of American popular culture, the September 11 attacks struck fear into the heart of Americans who thought Times Square might be the next target. But Broadway was back in business just two days later, buoyed by talented theater people intent on bringing New Yorkers together and supporting the economics of an injured city. Michael Riedel presents the drama behind every mega-hit or shocking flop, bringing readers into high-stakes premieres, fraught rehearsals, tough contract negotiations, intense Tony Award battles, and more. From the bitter feuds to the surprising collaborations, all the intrigue of a revolutionary era in the Theater District is packed into Singular Sensation. Broadway has triumphs and disasters, but the show always goes on.
Tony Kushner in Conversation by
In the Fall of 1992, Millennium Approaches, the first part of Tony Kushner's Angels in America, won England's prestigious Evening Standard award as the season's Best Play. By the Spring of 1993, Millennium had come to Broadway and won its highest honor, the Tony Award for Best Play, and the distinguished Pulitzer Prize for drama as well. Through its epic theatrical panorama of the intimate and political dynamics that arise when individuals, histories, and cultures intersect, Millennium captured the imagination and the conscience of all who saw it. Its ability to deeply move the audience in personal, communal, and political ways was admirably (and astoundingly) matched by the subsequent production of the play's second part, Perestroika, which brought Kushner yet another Evening Standard award and Tony Award for Best Play (1994). Tony Kushner has, almost overnight, become the premier American male playwright to "represent" the 1990s, as David Mamet and August Wilson dominated critical attention in the 1980s. The phenomenally positive response to Angels in America was matched by the equally enthusiastic reception of its young, politically engaged playwright, who impressed journalists and scholars with his eloquent intellect, wit, and moral convictions. Kushner spoke for a younger generation of American artists and activists whose art is intimately connected to social vision and "revolutionary" possibilities in the public and private sectors.
All the Pretty Horses by
Now a major motion picture from Columbia Pictures starring Matt Damon, produced by Mike Nichols, and directed by Billy Bob Thornton. The national bestseller and the first volume in Cormac McCarthy's Border Trilogy, All the Pretty Horses is the tale of John Grady Cole, who at sixteen finds himself at the end of a long line of Texas ranchers, cut off from the only life he has ever imagined for himself. With two companions, he sets off for Mexico on a sometimes idyllic, sometimes comic journey to a place where dreams are paid for in blood. Winner of the National Book Award for Fiction.
The Bridges of Madison County by
Fall in love with one of the bestselling novels of all time -- the legendary love story that became a beloved film starring Clint Eastwood and Meryl Streep. If you've ever experienced the one true love of your life, a love that for some reason could never be, you will understand why readers all over the world are so moved by this small, unknown first novel that they became a publishing phenomenon and #1 bestseller. The story of Robert Kincaid, the photographer and free spirit searching for the covered bridges of Madison County, and Francesca Johnson, the farm wife waiting for the fulfillment of a girlhood dream, The Bridges of Madison County gives voice to the longings of men and women everywhere -- and shows us what it is to love and be loved so intensely that life is never the same again.
The English Patient by
BOOKER PRIZE WINNER * NATIONAL BESTSELLER * The bestselling author of Warlight traces the intersection of four damaged lives in an abandoned Italian villa at the end of World War II. "A rare spellbinding web of dreams." --Time
The nurse Hana, exhausted by death, obsessively tends to her last surviving patient. Caravaggio, the thief, tries to reimagine who he is, now that his hands are hopelessly maimed. The Indian sapper Kip searches for hidden bombs in a landscape where nothing is safe but himself. And at the center of his labyrinth lies the English patient, nameless and hideously burned, a man who is both a riddle and a provocation to his companions--and whose memories of suffering, rescue, and betrayal illuminate this book like flashes of heat lightning.
Gerald's Game by
Stephen King, the world's bestselling novelist, was educated at the University of Maine at Orono. He lives with his wife, the novelist Tabitha King, and their children in Bangor, Maine.
Revolution from Within by
The author investigates the most vital component of a healthy personality--self-esteem--drawing on her own experience with low self-esteem and that of such luminaries as Mahatma Gandhi.
Rising Sun by
During the grand opening celebration of the new American headquarters of an immense Japanese conglomerate, the dead body of a beautiful woman is found. The investigation begins, and immediately becomes a headlong chase through a twisting maze of industrial intrigue and a violent business battle that takes no prisoners.
The Secret History by
Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries. But their search for the transcendent leads them down a dangerous path, beyond human constructs of morality. "A remarkably powerful novel [and] a ferociously well-paced entertainment . . . Forceful, cerebral, and impeccably controlled."--The New York Times
The Tale of the Body Thief by
Lestat speaks. Vampire-hero, enchanter, seducer of mortals. For centuries he has been a courted prince in the dark and flourishing universe of the living dead. Lestat is alone. And suddenly all his vampire rationale--everything he has come to believe and feel safe with--is called into question. In his overwhelming need to destroy his doubts and his loneliness, Lestat embarks on the most dangerous enterprise he has undertaken in all the danger-haunted years of his long existence.
Truman by
The Pulitzer Prize-winning biography of Harry S. Truman, whose presidency included momentous events from the atomic bombing of Japan to the outbreak of the Cold War and the Korean War, told by America's beloved and distinguished historian. The life of Harry S. Truman is one of the greatest of American stories, filled with vivid characters--Roosevelt, Churchill, Stalin, Eleanor Roosevelt, Bess Wallace Truman, George Marshall, Joe McCarthy, and Dean Acheson--and dramatic events. In this riveting biography, acclaimed historian David McCullough not only captures the man--a more complex, informed, and determined man than ever before imagined--but also the turbulent times in which he rose, boldly, to meet unprecedented challenges. The last president to serve as a living link between the nineteenth and the twentieth centuries, Truman's story spans the raw world of the Missouri frontier, World War I, the powerful Pendergast machine of Kansas City, the legendary Whistle-Stop Campaign of 1948, and the decisions to drop the atomic bomb, confront Stalin at Potsdam, send troops to Korea, and fire General MacArthur. Drawing on newly discovered archival material and extensive interviews with Truman's own family, friends, and Washington colleagues, McCullough tells the deeply moving story of the seemingly ordinary "man from Missouri" who was perhaps the most courageous president in our history.
After the End of History: American Fiction in the 1990s by
In this bold book, Samuel Cohen asserts the literary and historical importance of the period between the fall of the Berlin wall and that of the Twin Towers in New York. With refreshing clarity, he examines six 1990s novels and two post-9/11 novels that explore the impact of the end of the Cold War: Pynchon's Mason & Dixon, Roth's American Pastoral, Morrison's Paradise, O'Brien's In the Lake of the Woods, Didion's The Last Thing He Wanted, Eugenides's Middlesex, Lethem's Fortress of Solitude, and DeLillo's Underworld. Cohen emphasizes how these works reconnect the past to a present that is ironically keen on denying that connection. Exploring the ways ideas about paradise and pastoral, difference and exclusion, innocence and righteousness, triumph and trauma deform the stories Americans tell themselves about their nation's past, After the End of History challenges us to reconsider these works in a new light, offering fresh, insightful readings of what are destined to be classic works of literature. At the same time, Cohen enters into the theoretical discussion about postmodern historical understanding. Throwing his hat in the ring with force and style, he confronts not only Francis Fukuyama's triumphalist response to the fall of the Soviet Union but also the other literary and political "end of history" claims put forth by such theorists as Fredric Jameson and Walter Benn Michaels. In a straightforward, affecting style, After the End of History offers us a new vision for the capabilities and confines of contemporary fiction.
American Fiction in Transition: Observer-Hero Narrative, the 1990s, and Postmodernism by
American Fiction in Transition is a study of the observer-hero narrative, a highly significant but critically neglected genre of the American novel. Through the lens of this transitional genre, the book explores the 1990s in relation to debates about the end of postmodernism, and connects the decade to other transitional periods in US literature. Novels by four major contemporary writers are examined: Philip Roth, Paul Auster, E. L. Doctorow and Jeffrey Eugenides. Each novel has a similar structure: an observer-narrator tells the story of an important person in his life who has died. But each story is equally about the struggle to tell the story, to find adequate means to narrate the transitional quality of the hero's life. In playing out this narrative struggle, each novel thereby addresses the broader problem of historical transition, a problem that marks the legacy of the postmodern era in American literature and culture.
American Fiction of The 1990s: Reflections of History and Culture by
American Fiction of the 1990s: Reflections of History and Culture brings together essays from international experts to examine one of the most vital and energized decades in American literature. This volume reads the rich body of 1990s American fiction in the context of key cultural concerns of the period. The issues that the contributors identify as especially productive include: Immigration and America's geographical borders, particularly those with Latin America Racial tensions, race relations and racial exchanges Historical memory and the recording of history Sex, scandal and the politicization of sexuality Postmodern technologies, terrorism and paranoia American Fiction of the 1990s examines texts by established authors such as Don DeLillo, Toni Morrison, Philip Roth and Thomas Pynchon, who write some of their most ambitious work in the period, but also by emergent writers, such as Sherman Alexie, Chang-Rae Lee, E. Annie Proulx, David Foster Wallace, and Jonathan Franzen. Offering new insight into both the literature and the culture of the period, as well as the interaction between the two in a way that furthers the New American Studies, this volume will be essential reading for students and lecturers of American literature and culture and late twentieth-century fiction. Contributors include: Timothy Aubry, Alex Blazer, Kasia Boddy, Stephen J. Burn, Andrew Dix, Brian Jarvis, Suzanne W. Jones, Peter Knight, A. Robert Lee, Stacey Olster, Derek Parker Royal, Krishna Sen, Zoe Trodd, Andrew Warnes and Nahem Yousaf.