A Boy in Winter by
Early on a grey November morning in 1941, only weeks after the German invasion, a small Ukrainian town is overrun by the SS. This new novel from the award-winning author of the Booker Prize short-listed The Dark Room tells of the three days that follow and the lives that are overturned in the process. Penned in with his fellow Jews, under threat of deportation, Ephraim anxiously awaits word of his two sons, missing since daybreak. Come in search of her lover, to fetch him home again, away from the invaders, Yasia must confront new and harsh truths about those closest to her. Here to avoid a war he considers criminal, German engineer Otto Pohl is faced with an even greater crime unfolding behind the lines, and no one but himself to turn to. And in the midst of it all is Yankel, a boy determined to survive this. But to do so, he must throw in his lot with strangers. As their stories mesh, each of Rachel Seiffert's characters comes to know the compromises demanded by survival, the oppressive power of fear, and the possibility of courage in the face of terror. Rich with a rare compassion and emotional depth, A Boy in Winter is a story of hope when all is lost and of mercy when the times have none.
The Mitten by
When Nicki drops his white mitten in the snow, he goes on without realizing that it is missing. One by one, woodland animals find it and crawl in; first, a curious mole, then a rabbit, a badger and others, each one larger than the last. Finally, a big brown bear is followed in by a tiny brown mouse and what happens next makes for a wonderfully funny climax. As the story of the animals in the mitten unfolds, the reader can see Nicki in the boarders of each page, walking through the woods unaware of what is going on. Once again Jan Brett has created a dramatic and beautiful picture book in her distinctive style. She brings the animals to life with warmth and humor, and her illustrations are full of visual delights and details faithful to the Ukrainian tradition from which the story comes.
Something Unbelievable by
An overwhelmed new mom discovers unexpected parallels between life in twenty-first-century America and her grandmother's account of their family's escape from the Nazis in this sharp, heartfelt novel. "A fresh perspective--one that's both haunting and hilarious--on dual-timeline war stories, a feat that only a writer of Kuznetsova's caliber could pull off."--Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue Larissa is a stubborn, brutally honest woman in her eighties, tired of her home in Kiev, Ukraine--tired of everything really, except for her beloved granddaughter, Natasha. Natasha is tired as well, but that's because she just had a baby, and she's struggling to balance her roles as a new mother, a wife, a struggling actress, and a host to her husband's slacker best friend, Stas, who has been staying with them in their cramped one-bedroom apartment in upper Manhattan. When Natasha asks Larissa to tell the story of her family's Soviet wartime escape from the Nazis in Kiev, she reluctantly agrees. Maybe Natasha is just looking for distraction from her own life, but Larissa is desperate to make her happy, even though telling the story makes her heart ache. Larissa recounts the nearly three-year period when she fled with her self-absorbed sister, parents, and grandmother to a factory town in the Ural Mountains where they faced starvation, a cholera outbreak, a tragic suicide, and where she was torn in her affections for two brothers from a wealthy family. But neither Larissa nor Natasha can anticipate how loudly these lessons of the past will echo in their present moments. Something Unbelievable explores with piercing wit and tender feeling just how much our circumstances shape our lives and what we pass on to the younger generations, willingly or not.
What We Live for, What We Die For by
An introduction to an original poetic voice from eastern Ukraine with deep roots in the unique cultural landscape of post-Soviet devastation "Everyone can find something, if they only look carefully," reads one of the memorable lines from this first collection of poems in English by the world+'renowned Ukrainian author Serhiy Zhadan. These robust and accessible narrative poems feature gutsy portraits of life on wartorn and poverty-ravaged streets, where children tally the number of local deaths, where mothers live with low expectations, and where romance lives like a remote memory. In the tradition of Tom Waits, Charles Bukowski, and William S. Burroughs, Zhadan creates a new poetics of loss, a daily crusade of testimonial, a final witness of abandoned lives in a claustrophobic universe where "every year there's less and less air." Yet despite the grimness of these portraits, Zhadan's poems are familiar and enchanting, lit by the magic of everyday detail, leaving readers with a sense of hope, knowing that the will of a people "will never let it be / like it was before."
Where Currents Meet by
Where Currents Meet treats the Ukrainian and Russian components of cultural experience in Ukraine's East as elements of a complex continuum. This study of cultural memory in post-Soviet space shows how its inhabitants negotiate the historical legacy they have inherited. Tanya Zaharchenko approaches contemporary Ukrainian literature at the intersection of memory studies and border studies, and her analysis adds a new voice to an ongoing exploration of cultural and historical discourses in Ukraine. This scholarly journey through storylines explores the ways in which younger writers in Kharkiv (Kharkov in Russian), a diverse, dynamic, but understudied border city in east Ukraine today come to grips with a traumatized post-Soviet cultural landscape. Zaharchenko's book examines the works of Serhiy Zhadan, Andrei Krasniashchikh, Yuri Tsaplin, Oleh Kotsarev and others, introducing them as a "doubletake" generation who came of age during the Soviet Union's collapse and as adults revisited this experience in their novels. Filling the space between society and the state, local literary texts have turned into forms of historical memory and agents of political life.
The White Chalk of Days by
The publication of "The White Chalk of Days: The Contemporary Ukrainian Literature Series Anthology" commemorates the tenth year of the Contemporary Ukrainian Literature Series. Co-sponsored by the Ukrainian Studies Program at the Harriman Institute, Columbia University and the Kennan Institute at the Woodrow Wilson International Center for Scholars, the Series has recurrently organized readings in the US for Ukraine's leading writers since 2008. The anthology presents translations of literary works by Series guests that imaginatively engage pivotal issues in today's Ukraine and express its tribulations and jubilations. Featuring poetry, fiction, and essays by fifteen Ukrainian writers, the anthology offers English-language readers a wide array of the most beguiling literature written in Ukraine in the past fifty years.
Words for War by
The armed conflict in the east of Ukraine brought about an emergence of a distinctive trend in contemporary Ukrainian poetry: the poetry of war. Directly and indirectly, the poems collected in this volume engage with the events and experiences of war, reflecting on the themes of alienation, loss, dislocation, and disability; as well as justice, heroism, courage, resilience, generosity, and forgiveness. In addressing these themes, the poems also raise questions about art, politics, citizenship, and moral responsibility. The anthology brings together some of the most compelling poetic voices from different regions of Ukraine. Young and old, female and male, somber and ironic, tragic and playful, filled with extraordinary terror and ordinary human delights, the voices recreate the human sounds of war in its tragic complexity.
Writing, Society and Culture in Early Rus, C. 950-1300 by
This book provides a thorough survey and analysis of the emergence and functions of written culture in Rus (covering roughly the modern East Slav lands of European Russia, Ukraine and Belarus). Part I introduces the full range of types of writing: the scripts and languages, the materials, the social and physical contexts, ranging from builders' scratches on bricks through to luxurious parchment manuscripts. Part II presents a series of thematic studies of the 'socio-cultural dynamics' of writing, in order to reveal and explain distinctive features in the Rus assimilation of the technology. The comparative approach means that the book may also serve as a case-study for those with a broader interest either in medieval uses of writing or in the social and cultural history of information technologies. Overall, the impressive scholarship and idiosyncratic wit of this volume commend it to students and specialists in Russian history and literature alike. Awarded the Alec Nove Prize, given by the British Association for Slavonic and East European Studies for the best book of 2002 in Russian, Soviet or Post-Soviet studies.
Festive Ukrainian Cooking by
Ukrainian cooking embodies national and ethnic tastes and reflects the spiritual and social awareness of Ukrainians. More than just a cookbook, Festive Ukrainian Cooking is a definitive account of traditional Ukrainian culture as perpetuated in family rituals and celebrated with elegantly prepared food and drink. Working from original sources in Ukrainian, Russian, and Polish, and drawing on experience as an accomplished cook, Marta Pisetska Farley arranges these recipes as they were enjoyed throughout the year, beginning with kolach, a glazed braided bread sprinkled with poppy seeds, for Christmas Eve, and ending with succulent dishes made with wild mushrooms harvested in the fall. Chapter introductions describe the folkways associated with major holidays and family events and the symbolic and celebratory role of food appropriate to each. Festive Ukrainian Cooking, originally published in 1990 and now newly repackaged in paperback, records these traditions and adapts old-style recipes for the modern kitchen.
Savage Feast by
One of Booklist's Must Read Nonfiction picks of 2019 The acclaimed author of A Replacement Life shifts between heartbreak and humor in this gorgeously told, recipe-filled memoir. A family story, an immigrant story, a love story, and an epic meal, Savage Feast explores the challenges of navigating two cultures from an unusual angle. A revealing personal story and family memoir told through meals and recipes, Savage Feast begins with Boris's childhood in Soviet Belarus, where good food was often worth more than money. He describes the unlikely dish that brought his parents together and how years of Holocaust hunger left his grandmother so obsessed with bread that she always kept five loaves on hand. She was the stove magician and Boris' grandfather the master black marketer who supplied her, evading at least one firing squad on the way. These spoils kept Boris' family--Jews who lived under threat of discrimination and violence--provided-for and protected. Despite its abundance, food becomes even more important in America, which Boris' family reaches after an emigration through Vienna and Rome filled with marvel, despair, and bratwurst. How to remain connected to one's roots while shedding their trauma? The ambrosial cooking of Oksana, Boris's grandfather's Ukrainian home aide, begins to show him the way. His quest takes him to a farm in the Hudson River Valley, the kitchen of a Russian restaurant on the Lower East Side, a Native American reservation in South Dakota, and back to Oksana's kitchen in Brooklyn. His relationships with women--troubled, he realizes, for reasons that go back many generations--unfold concurrently, finally bringing him, after many misadventures, to an American soulmate. Savage Feast is Boris' tribute to food, that secret passage to an intimate conversation about identity, belonging, family, displacement, and love.
Habsburg Lemberg by
When Austria annexed Galicia during the first partition of Poland in 1772, the province's capital, Lemberg, was a decaying Baroque town. By the outbreak of the First World War in 1914, Lemberg had become a booming city with a modern urban and, at the same time, distinctly Habsburg flavor. In the process of the "long" nineteenth century, both Lemberg's appearance and the use of public space changed remarkably. The city center was transformed into a showcase of modernity and a site of conflicting symbolic representations, while other areas were left decrepit, overcrowded, and neglected. Habsburg Lemberg: Architecture, Public Space, and Politics in the Galician Capital, 1772?1914 reveals that behind a variety of national and positivist historical narratives of Lemberg and of its architecture, there always existed a city that was labeled cosmopolitan yet provincial; and a Vienna, but still of the East. Buildings, streets, parks, and monuments became part and parcel of a complex set of culturally driven politics.
Mass Housing in the Socialist City by
Mass housing in Germany, Russia, and Ukraine represents an enormous volume of housing today and therefore a huge resource for the future development of cities. But transformation of these districts is needed due to the functional, societal, and technical problems and challenges they face. How can sustainable, socially compatible, ecological responsible, and economically efficient development be achieved? The book summarises the results of a three-year research project. Based on the selected case studies, it points out the qualities and values as well as the problems and potentials involved in spatially transforming prefabricated housing estates from the 1960s and 1970s. The specific features and characteristics of the socialist city are evaluated with respect to their potentials and difficulties, and with regard to the requirements placed on future district planning and development. Hence this book contributes to the on-going discussion and serves as a valuable basis for developing planning strategies.
Monuments to Faith by
Ukrainians first came to Canada a century ago, seeking a new life on the western prairies. They brought with them an ancient and rich cultural tradition, deeply rooted in Christianity. The most visible symbol of this tradition is the Ukrainian church with its distinctive cupolas. As soon as the settlers were established in the new land, they began to reshape their environment by building churches in the styles they remembered from their homeland. In this richly illustrated volume, the authors trace the continuity of tradition in achitecture, art, and community life from Ukraine to the parishes of the Manitoba prairie. In a detailed examination of the exteriors and interiors of forty-nine churches, the book establishes a typology of Ukrainian church designs. Biographies of the architects, master builders, and artists are included, along with a guide to the art and architecture of a Ukrainian church.
Avant-Garde Art in Ukraine, 1910-1930 by
Many of the greatest avant-garde artists of the early twentieth century were Ukrainians or came from Ukraine. Whether living in Paris, St. Petersburg or Kyiv, they made major contributions to painting, sculpture, theatre, and film-making. Because their connection to Ukraine has seldom been explored, English-language readers are often unaware that figures such as Archipenko, Burliuk, Malevich, and Exter were inspired both by their country of origin and their links to compatriots. This book traces the avant-garde development from its pre-war years in Paris to the end of the 1920s in Kyiv. It includes chapters on the political dilemmas faced by this generation, the contribution of Jewish artists, and the work of several emblematic figures: Mykhailo Boichuk, David Burliuk, Kazimir Malevich, Vadym Meller, Ivan Kavaleridze, and Dziga Vertov.
Black Square by
An in-depth exploration of Malevich's pivotal painting, its context and its significance Kazimir Malevich's painting Black Square is one of the twentieth century's emblematic paintings, the visual manifestation of a new period in world artistic culture at its inception. None of Malevich's contemporary revolutionaries created a manifesto, an emblem, as capacious and in its own way unique as this work; it became both the quintessence of the Russian avant-gardist's own art--which he called Suprematism--and a milestone on the highway of world art. Writing about this single painting, Aleksandra Shatskikh sheds new light on Malevich, the Suprematist movement, and the Russian avant-garde. Malevich devoted his entire life to explicating Black Square's meanings. This process engendered a great legacy: the original abstract movement in painting and its theoretical grounding; philosophical treatises; architectural models; new art pedagogy; innovative approaches to theater, music, and poetry; and the creation of a new visual environment through the introduction of decorative applied designs. All of this together spoke to the tremendous potential for innovative shape and thought formation concentrated in Black Square. To this day, many circumstances and events of the origins of Suprematism have remained obscure and have sprouted arbitrary interpretations and fictions. Close study of archival materials and testimonies of contemporaries synchronous to the events described has allowed this author to establish the true genesis of Suprematism and its principal painting.
The Life and Solo Piano Works of the Ukrainian Composer Myroslav Skoryk by 
Pysanky; instructions for decorating Easter eggs ... Do it yourself
Russian Folk Tunes for Piano by
(Piano). Julian Rowlands presents a collection of 25 Russian folk tunes arranged for solo piano. The collection includes notes on the history of Russian folk music, as well as a CD recording of all pieces. German and French translations of all texts are available as PDF. Suitable for players of grades 3-8.
Staging the Ukrainian Avant-Garde of the 1910s and 1920s by 
Taras Shevchenko by
Taras Shevchenko is undoubtedly Ukraine's greatest literary genius and national hero. His extraordinary life-story is recounted in this classic work by Pavlo Zaitsev. Born in 1814, the son of a poor serf, Shevchenko succeeded in winning his freedom and became an art student in St. Petersburg. In 1847 he was arrested for writing revolutionary poetry, forced into the army, and exiled to deserted outposts of the Russian empire to undergo an incredible odyssey of misery for ten years. Zaitsev's recounting of Shevchenko's ordeal is a moving portrait of a man able not only to survive extreme suffering but to transform it into poetry that articulated the aspirations of his enslaved nation. To this day Ukrainians observe a national day of mourning each year on the anniversary of Shevchenko's death. Zaitsev's biography has long been recognized by scholars as definitive. Originally written and typeset in the 1930s, the manuscript was confiscated from Zaitsev by Soviet authorities when they annexed Glaicia in 1939. The author still had proofs, however, which he revised and published in Munich in 1955. George Luckyj's translation, the first in English, now offers this indispensible biography to a new audience.
Ukraine Series by
- Abused, obliterated, destroyed: stunning photographs of Synagogues in the Ukraine- Accompanies a major exhibition in Pinakothek der Moderne, Munich, from October 28, 2015, to March 6, 2016Ukraine Series by Johanna Diehl shows sensitive, yet unsparing photographs of former synagogues in the territory of what is now Ukraine. Partially destroyed during the German occupation, the buildings were completely repurposed during the Soviet era: as auto repair shops, vinegar factories, clinics, cinemas, sewing workshops, gymnasiums, or KGB prisons. The structures plainly spell out the inconsiderate demonstrations of power exercised by one ideology or another over the synagogue as a religious, cultural space.Sometimes, a bricked-up Torah niche, or a historical ceiling mural peeping out from beneath a crumbling coat of paint hint at the richly religious life that blossomed in these spaces for centuries. The photographs, taken with a large-format camera, are enriched by very personal literary texts by Juri Andruchovytch, Ukraine's most renowned author today. Since childhood, he has been familiar with many of the sites Diehl visited.
Wild Music by
Musical representations of wildness in an era of revolution What are the uses of musical exoticism? In Wild Music, Maria Sonevytsky tracks vernacular Ukrainian discourses of "wildness" as they manifested in popular music during a volatile decade of Ukrainian political history bracketed by two revolutions. From the Eurovision Song Contest to reality TV, from Indigenous radio to the revolution stage, Sonevytsky assesses how these practices exhibit and re-imagine Ukrainian tradition and culture. As the rise of global populism forces us to confront the category of state sovereignty anew, Sonevytsky proposes innovative paradigms for thinking through the creative practices that constitute sovereignty, citizenship, and nationalism.
Iconostasis by
Translated into English, this is Pavel Florensky's final theological work. Composed in 1922, it explores the significance of the icon: its philosophic depth, its spiritual history, and its empirical technique. The volume also sketches an alternative history of both Western religious art and the Orthodox icon - a history under the direct operation of the Holy Spirit. An introductory essay included in the book covers Florensky's life and work in a historical and religious context.
Icons and Saints of the Eastern Orthodox Church by
An icon (from the Greek word "eikon," "image") is a wooden panel painting of a holy person or scene from Orthodox Christianity, the religion of the Byzantine Empire that is practiced today mainly in Greece and Russia. It was believed that these works acted as intermediaries between worshipers and the holy personages they depicted. Their pictorial language is stylized and primarily symbolic, rather than literal and narrative. Indeed, every attitude, pose, and color depicted in an icon has a precise meaning, and their painters--usually monks--followed prescribed models from iconographic manuals. The goal of this book is to catalogue the vast heritage of images according to iconographic type and subject, from the most ancient at the Monastery of Saint Catherine in the Sinai to those from Greece, Constantinople, and Russia. Chapters focus on the role of icons in the Orthodox liturgy and on common iconic subjects, including the fathers and saints of the Eastern Church and the life of Jesus and his followers. As with other volumes in the Guide to Imagery series, this book includes a wealth of color illustrations in which details are called out for discussion.
The Orthodox Church in Ukraine by
The bitter separation of Ukraine's Orthodox churches is a microcosm of its societal strife. From 1917 onward, church leaders failed to agree on the church's mission in the twentieth century. The core issues of dispute were establishing independence from the Russian church and adopting Ukrainian as the language of worship. Decades of polemical exchanges and public statements by leaders of the separated churches contributed to the formation of their distinct identities and sharpened the friction amongst their respective supporters. In The Orthodox Church in Ukraine, Nicholas Denysenko provides a balanced and comprehensive analysis of this history from the early twentieth century to the present. Based on extensive archival research, Denysenko's study examines the dynamics of church and state that complicate attempts to restore an authentic Ukrainian religious identity in the contemporary Orthodox churches. An enhanced understanding of these separate identities and how they were forged could prove to be an important tool for resolving contemporary religious differences and revising ecclesial policies. This important study will be of interest to historians of the church, specialists of former Soviet countries, and general readers interested in the history of the Orthodox Church.
Taras Shevchenko (1814-1861) was an iconic Ukrainian poet, writer, artist, and political figure throughout the nineteenth century. Known for many masterpieces as a painter and illustrator, Shevchenko drew his inspiration from Ukrainian folklore and heritage. Due to the distress caused by the Russian empire in 1844, Shevchenko decided to create an etched album of Ukraine's historical ruins and cultural monuments, titled Picturesque Ukraine. A similar album of watercolor and pencil drawings was done in 1845.
The artwork featured above is Chyhyryn from the Subotove Road, created in 1845. Chyhyryn is a city and historical cite located in central Ukraine. Minor industries, such as food and furniture factories, are the basis of the town economy in the 21st century.
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Letters from Heaven features an international group of scholars investigating the place and function of 'popular' religion in Eastern Slavic cultures. The contributors examine popular religious practices in Russia and Ukraine from the middle ages to the present, considering the cultural contexts of death rituals, miracles, sin and virtue, cults of the saints, and icons. The collection not only fills a void in religious scholarship, but also responds to current theoretical challenges.
Letters from Heaven is characterized by a shift of focus from churches, institutions, and theological discourse to the religious practices themselves and their interconnections with the culture, mentality, and social structures of the societies in question. An important contribution to the fields of religion and Eastern Slavic studies, this volume challenges readers to rethink old pieties and to reconsider the function of religion.
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